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"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd ...
The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a ...
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing ...
I first came across Rachel Jones in 2021 at the Hayward Gallery’s painting show Mixing it Up: Painting Today. I was blown ...
The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number ...
Swiss electro-rockers, Young Gods have been around for 40 years, but this in no way should suggest that they’ve gone soft in ...
It’s been a long time since an exhibition made me feel physically sick. The Hayward Gallery is currently hosting a ...
There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a ...
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a ...
When Neil Young releases a new album, you can be reasonably sure that you’ll get either a disc of melancholy ...
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades.
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