When you think of classical music, chances are you don’t often think of an underlying hip-hop beat. That's where two musicians, Wil Baptiste and Kev Marcus come in. The pair has been blending hip-hop ...
Brendan Slocumb remembers that moment that classical music just clicked for him. BRENDAN SLOCUMB: The first piece of classical music that I heard was Mozart's "Symphony No. 40." (SOUNDBITE OF ...
Nina DiGregorio always wanted to play rock and roll — but doing that on the violin wasn’t much of an option when she was growing up in upstate New York, she said. Today, however, she’s known as the ...
The members of Black Violin want to change perceptions about who can play what kind of music. Wil Baptiste on viola and Kev Marcus on violin met as high school orchestra nerds. Today they play ...
The Norris Cultural Arts Center’s “Music & More in the Gallery” event series continues Sunday, March 24, when Chicago-based violinist Tricia Park performs what she calls “a tasting menu of music for ...
After 11 years, Eddy Chen and Brett Yang are moving on from their beloved, enormously popular comedy duo TwoSet Violin. Credit... Supported by By Javier C. Hernández Photographs and Video by Andre ...
Editor's note: This segment was rebroadcast on Feb. 18, 2021. Find that audio here. When violinist Kev Marcus and violist Wil B met on the first day of their high school orchestra class, they decided ...
Polemic rarely works in fiction, and that's for a very good reason: Fiction begets empathy, and polemic encourages attack. But in his debut thriller The Violin Conspiracy, Brendan Slocumb employs ...
Picture a classical concert violinist. What images does your imagination evoke? Let's get obvious givens out of the way: a dazzling light show, rock guitars, fantastical choreographed numbers, aerial ...
The fall concert season begins not just with the customary Beethoven and Bruckner but also with a great polychrome explosion of music from Latin America. The Venezuelan Gustavo Dudamel conducting a ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Large ensembles typically dominate the classical calendar. But the coronavirus turned the spotlight on individual artists. By Joshua ...